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Falkor The Luck Dragon From The Neverending Story Design Unisex T-Shirt NOW $19.5

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Unisex T-Shirt. Falkor The Luck Dragon From The Neverending Story Design Falkor from The Neverending Story movies is one of the most beloved characters from the 1980’s. The Neverending Story Theme Song Limahl, Christopher Hamill, better known by his stage name Limahl, is an English pop singer. He rose to fame as the lead singer of the 1980s pop group Kajagoogoo. Limahl – Official website of singer/songwriter Limahl the fromer frontman of Kajagoogoo, Visit http://www.limahl.com Falkor helps Atreyu in his quest to find a cure for the Empress after escaping the web of Ygramul the Many. Unlike most of their dragon kin, luckdragons possess neither an immense physical strength, nor great magical talents, though they can still breathe fire, which is blue, as shown when Falkor fights Ygramul. Their only distinctive ability that sets them apart is their incredible luck in everything they do, as shown at one point in the novel when Falkor manages to locate and rescue his companion

U.S.S. Sulaco – Aliens Unisex T-Shirt NOW $19.5

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Unisex T-Shirt. !http://darkinc1.net/wp-content/uploads/2017/07/Redbuddle-Banner_zpsjcasicx9.png!:http://www.darkinc1.co.uk The U.S.S. Sulaco is a fictional spaceship and important setting in the film Aliens. It also appears briefly in the opening scene of Alien 3, and in the Aliens: Colonial Marines video game that takes place shortly after the events of Alien 3. The Sulaco is named after a fictional town in Joseph Conrad’s novel Nostromo (the name of the ship from the original Alien), and a number of other names in the franchise are based on Conrad’s work as well. Some scholarly research into the symbolism of the Alien franchise has considered it significant that Sulaco in Conrad’s Nostromo is the home of the owners of the silver mine figuring in the book, while the Sulaco in Aliens transports soldiers to investigate unknown troubles at a corporate outpost of Weyland Yutani and to protect the investment—drawing parallels between the ‘corporate’ owners in Conrad’s work and th